Flamejob is the eleventh album by The Cramps. It was recorded and mixed at the engineer Earle Mankey's Psychedelic Shack in Thousand Oaks, California, and was self-produced by Poison Ivy and Lux Interior.

Pioneer of Italian synth pop. His "Tanz Bambolina" and "Rock 'n' Roll Robot", released in 1980, are almost the first Italian electronic new wave songs. This compilation also include some early songs in "pop/rock + brazilian roots" style.

Well, once again here's the madness of summer all wrapped-up in a blender of pop-punk fun! Featuring four of today's greater pop-punk bands, contributing four tunes apiece, this split brings you tracks by the Adorkables (CA), the Kilowatts (OH), the Sheckies (NJ) & the Bluffingtons (CA). Catch a wave today while this post is still available!

A collection of homegrown classics from 101 of the biggest local artists over the last four decades. Spanning the seventies, eighties, nineties and noughties, and featuring everything from Russell Morris' 1969 No. 1 "The Real Thing" all the way to 2009's ARIA Award winners Empire Of The Sun with "Walking On A Dream", this package is truly the perfect start to any collection of Australian pop music.

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Her 24th album is called “Personal Jesus” including the Derpeche Mode cover as title track. One of the amazing things about Nina Hagen is, you never know what she will do next. From punk to gospel, classic and folk to indian music, Nina Hagen does it all. And she does it with all her heart and soul. Nina got baptised a few years ago, so it was about time to release a religious album about Jesus and God. And here it is called “Personal Jesus”. 13 songs about her love to God and how he loves her back captured on this long player. The musical style on this album varies between soul, jazz, country and gospel. Nina Hagen sings with an awesome jazzy voice that is very strong and powerful. You can tell that she is totally standing behind what she is singing. You can hear and feel the passion she puts into it and the power she gets from that. The album layout is black and white with nice portraits of Nina Hagen as well as the lyrics. This is a wonderful and deeply emotional album, you should definitely give it a try, even if you usually don’t like her.

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Definitive Collection is a compilation album by Nina Hagen, released in 1995, featuring 17 of the German new wave chanteuse's best

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Definitive Collection is a compilation album by Nina Hagen, released in 1995, featuring 17 of the German new wave chanteuse's best

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With a permanently snarled upper lip and the perfect matinee-idol blond hair, Billy Idol made punk rock palatable for MTV and the masses. He did so by watering down punk's aggressive attack with dance grooves and stretches of keyboards where no self-respecting punk would've dared. Essentially, he made pop music with a spare razor blade tossed in for fun. When it clicked, as it does on the anthemic title track of this, his career highlight, well, only an anarchist could complain. "Eyes Without a Face" and "Flesh for Fantasy" are two other early '80s radio stapes found here and they went further to establish Idol as a potential Vegas balladeer. This reissue contains some worthwhile demos. --Rob O'Connor

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New full length from one of Canada's favorite punk bands! Three years is too long to wait! "When Hamilton's The Reason released its sophomore album things couldn't be better back in 2007, the five-piece rock outfit wasn't entirely satisfied with the outcome. Two romantic transitions, one management shuffle and one new drummer later, The Reason is no longer lost in navet. They've regrouped, taken reality by the gonads and churned out a stunning new album in Fools, propelled by the electrifying first single."

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Funnily enough, Suicide are victims of themselves. Their 1977 debut album is so ridiculously unique, innovative, and influential that it's easy to forget that they've made other records. For all the praise given to "Frankie Teardrop" and "Cheree", there's respectful silence regarding most of the rest of their catalog, as if to say "yeah, that's okay, but you heard the debut, right?" This is sad not only because it boxes Alan Vega and Martin Rev into one tiny corner of their career in most people's minds, but also because the other albums are actually pretty damn good.

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